FARBOD MOSHKIN GHALAM

This idea led to the creation of monuments in three points, which influenced the viewer’s interaction with the project. Initially, we approached the first node (the boundary between private and public space) and transformed its solid wall into a suspended fireplace, which, while preserving privacy, opened up the space behind it and made the space in front of it more meaningful for intimate conversations of two or three individuals. Afterward, we introduced a new wooden wall that moves along the boundary between the light well and the interior space, eliminating the 90-degree corner to maintain its visual movement (taking into account the provision of lighting through tall windows in the southern wall of the building) and covered the congestion of the previous light well wall. In the second node, by examining the evolution of the boundary between the kitchen and the public space in Iranian homes, we arrived at a semi-open kitchen (open) from the wall and an open kitchen centered around an island. By creating a wall on the island that extended the path of the